Interviews

Thanks to our intrepid volunteer journalist Cath Bannister for these.

Interview with Stan Burt, Volunteer Co-ordinator

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Greenhill Library’s new Volunteer Co-ordinator Stan Burt is a man who knows how to keep the plates spinning… literally. Because Stan’s eclectic background in the arts and performance includes stints with circuses and at festivals, honing his skills in clowning, juggling and plate spinning. And while Greenhill Library is a world away from the big top, his unusual talents could come in useful when it comes to balancing the multiple duties attached to his post.
“I carry out inductions of new volunteers, oversee advertisements for volunteer positions, keep up- to-date with the training of volunteers, and I’m hopefully the ‘go to’ person if there are any issues that need resolving,” explained Stan. He added: “I want to help the library achieve its aspirations of being fully independent, and a focal point of the community.”

Originally from the Midlands, Stan (29) came to Sheffield as a student a decade ago. After a couple of years in London, he’s back, bunked-up in Abbeydale, and making his mark on the Sheffield creative scene, both as a poet and organiser of The Shipping Forecast, a sea-themed cabaret night returning to Sheffield this autumn. He is also involved in the running of DINA, an arts space in the town centre, and came to Greenhill Library through Voluntary Action Sheffield.

A keen reader, whose favourite book is Richard Yates’s Revolutionary Road, Stan is intending to spark a few changes of his own at the library, including the appointment of a youth community officer to boost the library’s engagement with schools and young people, and work on events for this age group. He’s also looking to enhance the library’s outreach in terms of communication and fundraising, and making greater use of social media, as well as continuing to recruit volunteers to those very essential tasks such as keeping the library clean.

Summing up his intentions, Stan said: “It’s really about getting the word out there and trying to get the message out that this is a community-led library, and that the community is at the heart of what we do. The community needs to see it as theirs and help keep it operating. A community needs a library.”

Despite his busy schedule at Greenhill and with his other projects, Stan still finds time for performing. So, if a crafty cockney with a Dickensian demeanour creeps up on you at Kelham Island’s Victorian Christmas Market this year, it might not be your pocket he’s out to plunder; he might simply be looking for new library volunteers.

Interview with Clive Opie

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Popular reading group Chatterbooks has started a new chapter this autumn, with library volunteer Clive Opie now organising the club. Children and parents already attending the group for 8 – 11-year-olds, which meets on Mondays at Greenhill Library, will already be familiar with Clive, who has assisted with the mix of book-based activities since last year. Having taken over in mid-September, he’s exploring new ways to keep Chatterbooks lively.

Originally from Devon, Clive has lived in Sheffield since the 1970s when he was an undergraduate, and then PhD student in Chemistry at Sheffield University. Always intending to teach, Clive worked for eight years at Firth Park and King Ecgbert secondary schools, before taking a variety of teaching and management roles in further and higher education. He moved to Greenhill in 1985 where his children attended Greenhill Primary School. Now semi-retired, he’s bringing his experiences in education to Chatterbooks, as well as his fiddle playing. ‘I can get people dancing’, said Clive,’but I am still a novice and have still so much to learn.’ He is fortunate to sit in to play ceilidh music with the ‘exceptional’ Bash Street Band, and recalls how one Chatterbooks session turned tuneful. Future ideas include creating displays, inviting members to share special interests through mini-presentations, and reading a book together with each member given the chance to ‘tell’ part of the story.

Clive’s background means he values the importance of reading, which ‘fires the imagination’, he said. ‘Books can help people to widen their knowledge, improve their vocabulary, and enhance their creativity. There’s also a lot of fun to be had reading books, as the present Roald Dahl celebrations show.’ Although he was not an avid reader when he was younger, although J. R. R. Tolkien was a favourite, Clive enjoys murder mysteries and novels by Sebastian Faulks. Whatever you’re reading, he said, has the potential to act as a voyage of discovery.

And even as someone with a lifelong interest in computer technology, he believes reading is as important as ever. ‘Sadly, I think with computers and things, it’s the case that children aren’t getting the enjoyment of books,’ he reflected. ‘These days, with Kindles and things, we don’t need books, but I think there’s something about a book, being able to flick through the pages.’

Interview with Maureen Taylor

maureen-taylor

Maureen Taylor is a woman with a past; one she intends to bring to life at Greenhill Library on Friday, 19th August when, with a swish of her sumptuous skirts, she will showcase the art of dressing during the Elizabethan age. Dronfield Woodhouse resident Maureen brings together her talent for sewing and love of history in a talk which opens the door on the Elizabethan wardrobe, demonstrating how to dress as a Tudor lady while guiding her audience through the social messages which are shot through the silks.

“First and foremost, I’m an historian, and I specialise in 15th and 16th century social history” said Maureen, a Heritage Consultant who holds a master’s degree in History and Heritage Management. Her knowledge of the period makes her well-placed to explain not only the complexities of dressing, but the social cues which informed garment choices. Clothing during this turbulent period informed others of your social status and also your profession, and typically it was the nobility and gentry who were permitted to swathe themselves in the most desirable materials.

Fabric marked you out as somebody, explained Maureen over coffee at the Dronfield Hall Barn where she is a trustee. Hence the rich tapestries found in stately homes such as Derbyshire’s Hardwick Hall. “In the home you wouldn’t show your wealth just through furniture, you’d show it through textiles on your walls. And you showed your wealth on your back”.

Maureen’s passion for very retro fashion began during an O’ Level project 50 years ago, when she studied what were known as ‘sumptuary laws’ which governed what the population could wear. To step outside your status and dress as someone of higher rank was a punishable offence, she told me. Her interest in history, however, dates back even further to her early childhood, and the books that her mother would buy her for birthday and Christmas presents.

One which made its mark when she was just 10 was ‘A Traveller in Time’ by Derbyshire writer Alison Uttley. “I fell in love with that book; I think I could even quote from it because I read it so many times. Even though our A’ Level teacher was extremely boring it still didn’t put me off, I was determined to study history, but to make it as entertaining as I could if I was sharing knowledge.”

Entertaining is just the word to describe Maureen’s upcoming talk, An Elizabethan Wardrobe Revealed, which she will give in full, self-sewn costume, with some changes along the way. Maureen begins her talk in one costume, closing it in another from the end of Elizabeth I’s reign. During the talk she explains the different layers which constitute the elaborate outfits, and how and why they were worn. A further 10 to 12 costumes for men, women and children will also be on display during the event, and discussed with plenty of period detail plus a dash of humour too.

Yet while the Elizabethan gentry had the pick of the best cloth, Maureen finds her material in more down to earth settings; charity shops, fabric wholesalers, and even Ikea where a pair of curtains provided the inspiration she needed to create an over-gown and mantle in a deep rose colour. The curtain tie-backs made the shoulder wings of the outfit, which will be there to admire at her talk. Her dresses are created around a basic pattern from the United States, and adapted using original sources such as portraits to customise the clothing. It’s not a cheap pastime, she said, in terms of fabric or the hours she puts in to her spectacular creations. A dress styled after one worn by Elizabeth I cost around £150 in material. Factor in the three months Maureen spent crafting it, however, and the garment has cost her approximately £1,000.

It’s worth it for the reactions from her audience: “Usually ‘Oh my God!’”, she laughed. Perhaps some of this stems from the weight of Maureen’s creations. Her riding outfit weighs in at two stones, while a dress modelled on one worn by Queen Elizabeth I is a staggering four. “If it was difficult to move,” Maureen told me, “it was a sign of wealth because you had servants to bend, pick up, reach, to do everything for you.”

Multi-talented Maureen has also recently penned a novelette about the Lady of the Manor behind the building of Dronfield Hall Barn, and ‘Alice Deincourt: Her Story” should arrive on the shelves by Christmas this year, with all profits going to the Barn’s gardens. And while she may have one foot in the past, Maureen’s future looks likely to feature more of her favourite thing: learning. . “I just like learning” she smiled. “The day I stop learning is the day I go gaga, or they put me in a box”.

You can see Maureen’s marvellous creations on 19th August at Greenhill Library. The talk starts at 7pm and entry costs £5, with all profits going to support our local library. Tickets are available from Greenhill Library or on the door on the evening.


Interview with Irene Davy

Irene Davy

Irene Davy was a junior assistant at the library when it opened. Cath Bannister went to hear her story.

Greenhill Library is a great community resource, which has recently escaped closure thanks to the hard work of our dedicated volunteers. However, it seems that the library’s original opening was fraught with peril too, as its initial staff members faced up to severe snowfalls, a boiler breakdown which threatened the brand new books, and even the possibility of nuclear war! I met up with one of Greenhill Library’s first library assistants, Irene Davy, who is now 70 and living in Crookes. She filled me in on those fraught – but fun – months of preparation before our library opened its doors in February 1963.

Back then, Irene was a very junior library assistant. Alongside her new Greenhill Library colleagues, Irene spent from September to December 1962 in a back office at Highfield Library, sorting the 9,000 books for adult readers, the 4,000 children’s books, and doing masses of paperwork. “It was a lot of work, but great fun from the start”, said Irene, recalling how every book had to have its plastic cover individually sized, cut, and fitted by hand. It was then labelled and catalogued by staff working only with pens and paper, computerised catalogues being far in the future. It was “repetitive work”, she smiled, but “someone brought a record player along, and we played our favourite records. We were very noisy, I’m afraid! We really bonded, and that’s why we’re friends to this day.”

A radio brought into the office was also essential listening for a different reason. Hostilities in the ‘Cuban Missile Crisis’ were coming to a head and, as Irene recalled, “we thought it might be the end!” There was much laughter, though as they pondered what they would do if the four minute warning sounded; everything from getting back home to be with their families to buying a luxurious fur coat.

Thankfully, the international emergency was resolved. Meanwhile, back in Sheffield, the books bound for Greenhill were transported to our library just before Christmas. There they were stored in the stacks, “but not in the library, fortunately” added Irene, because at that point disaster struck. “On Christmas Day, the boiler blew up,” said Irene, who described how black sooty water came pouring through the vents into the main body of the library and down the walls. Had the books been in place, many could have been badly damaged.

The problem was compounded by a severe snowfall on Boxing Day heralding the start of the terrible winter of 1962 – 1963. Despite the lack of heating in the building, staff heroically offered to continue preparing our library, even if its opening had to be delayed, from January to late February. “We volunteered to work there with no heating,” said Irene. “We did it in relay, each of us working two days a week and wearing whatever we wanted to keep warm, even trousers!” This, she remembered, was a real privilege in the days when women were expected to wear skirts or dresses for work. On her allotted days, Irene, who was then living in Meersbrook, would catch a bus to Meadowhead and trudge through the deep snow down through Greenhill village where icicles several feet long hung from the cottages. Bundled up in thick clothing, she and her colleagues made soup and hot drinks in the library kitchen to keep warm while they worked, and also patronised the village chippie.

Finally the library was ready, and the staff posed for pictures browsing the books and sitting on the stylish 1960s Ercol chairs. These photographs were published in The Star newspaper alongside a report marking the opening of the library by Sheffield’s Lord Mayor, Alderman P. J. Kirkman.

The library was an instant hit with locals and hundreds of people descended on the library to get tickets. “Was it busy!” laughed Irene. “There was just a perpetual queue out of the door for days. We were always on our feet. They just queued and queued. It was exciting, there’s no doubt, it was exciting.” The shifts were long, as the library was open from 10am til 8pm four nights a week, and from 10am until 5pm on Saturdays. Irene, however, remembers it as a happy time and the library as a place where there was always something happening. The children’s library held a film show once a month, as well as regular story time and craft sessions. Adults enjoyed a listening group one night a week when users could bring in their favourite records. “We were very committed indeed” Irene said.

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The staff were rewarded for their commitment during the opening preparations, by being allowed to stay together for two years, instead of being transferred elsewhere annually as was the custom. When those two years were up, however, Irene was moved to another library. After 13 years in Sheffield, she went to work for Rotherham Libraries, for a time staffing the library at Rotherham District General Hospital, which served both medical staff and patients. Her final role was running the library at H.M.P. New Hall women’s prison, which she described as “another world” and “a mind-broadening experience.”

The photograph shows Irene Davy (right, by the curtains) with her colleagues (from left to right) Jane Hardy, Beryl Starr, Bruce Bellamy and Marilyn Hasler.


We have more photographs from those early days

Library Exterior 1962
The winter of 1962 – 1963. Notice the “City Library” signage which is no longer there.

The "study alcove"
The “study alcove” was  (and still is) a quiet place  to read and study. Those Ercol chairs were the height of fashion!

Children's Library
The Children’s Library. The alcove at the back of the picture is now our bookshop

The old reception desk
Originally there was a wall separating the adult’s and children’s libraries. They were served through two separate counters. This is the children’s counter.

adult library
The adult library, looking toward the service counter. It hasn’t changed all that much!